"It was fascinating to see the work of the people who had spent their life learning their craft and trade. The work was REAL..." Eddie Cleary, Co. Tipperary
The workshop was fantastic, the crew in the boatyard were great, we all gelled together as a team and despite the busy social life, we managed to complete our work. Mike Ruane, Co. Wexford
For 3 days I was lost in time, watching and helping Fachtna & Liam turn out intricate frames from the rough-sawn slabs of oak Captain J.G. Burns, MNI, Serving Master Marine
I was convinced that not only did the shipwrights appreciate our assistance – however inexpert – they enjoyed too the colour, the banter & energy we brought with us. Críostóir Mac Cárthaigh UCD National Folklore Collection
Connect with a piece of the Ilen - sponsorship of a plank is a meaningful way for you to support our project.
Donations are very much appreciated and allow us to continue to provide hands-on education.
Limited edition poster print of the Ketch Ilen is now available.
...FURTHER ALONG the coastline, this Friday is also an auspicious day for Gary McMahon and a team of master shipwrights who have been working on restoration of a very special vessel. The ketch Ilen is as significant in Irish maritime history as the Asgard or it successor, Asgard II .
One of the opening events of the festival this year is the Framing Out Ceremony of the good ship followed by a tour of the vessel and a talk on the Ilen Project.
Traditional Wooden Boat Building
June Wed 23 – Fri 25th 2010
Today, the Round the World Race has accustomed us to the harsh realities of the great oceans south of the Cape of Good Hope and Cape Horn, where the mighty westerlies blow unimpeded right round the world. When Conor O'Brien made his pioneering the ‘Roaring Forties’ and the ‘Screaming Fifties’ were little known. They were the region of only the toughest professional sailors, challenging the might of the Southern Ocean in relatively large ships. They sailed across an empty storm-tossed waste known only to the wandering albatross. Thus it was an act of heroism for an amateur skipper and his crew to take on such waters in a little ship in the days before radio communication, spending days, weeks and months sailing in complete isolation in a totally sail-driven vessel. For the dream-ship which Conor O'Brien created with master shipwright Tom Moynihan and his team at Baltimore in 1922 was just 42 foot in overall hull length. While her accommodation below was modern in its layout, reflecting her owner's architectural skills, her outward appearance was if anything old-fashioned, as O'Brien wished to deploy trusted technology for his great voyage. The little ship was called Saoirse – 'Freedom' – in honour of the new Irish state. She was, in fact, one of the very first Irish-registered vessels.
When she set out on her great voyage from Dún Laoghaire on 20 June 1923, O'Brien would only admit that he was sailing as far as New Zealand in order to join a mountaineering expedition. But when he re-anchored in Dún Laoghaire exactly two years later, Saoirse had been right round the world south of the great capes, often at impressive speeds, making O'Brien the first amateur skipper to achieve this remarkable feat. His account of the voyage, Across Three Oceans, is a classic of seafaring literature.
Until his wife Kitty's untimely death in 1936, Conor O'Brien remained in contented ownership of Saoirse, but by 1940, the little ship had gone to an English owner, Eric Ruck who had many happy years with her – including visits to Irish waters – until age and declining health forced him to sell her in 1974. In that year, Saoirse voyaged to Iceland before being sold again, and the new owner sailed her across the Atlantic to the Caribbean. It was there that she ended her days. A hurricane in Jamaica in 1979 destroyed the heroine of the Southern Ocean while she lay helplessly at anchor. It was a sad end for the dream-ship of Conor O’Brien.